SAGARDIA


work catalouge online



music section

screenplays





*

abbrevitations:



i/p: instrumentation / props

wp: world premiere

fp: further performances



durations are in:

minutes = '

seconds = "



a work description is available for those compositions marked with a *. work descriptions are written in german.
records of compositions marked with a * can be found at the "media / listen station".

*





music section



s o l o

to top





flagge ohne stange (2008/2009) approx. n.n.

for marimbaphon

wp: berlin, 11th of july, uferhallen berlin, marimbaphon: matthias engler



dunkelkammer für töne (2008) approx. n.n.

for piano and rainforest imitations

wp: -



adrien´s room / sounds for human deep (2007) approx. 8'

for clarinet, sun glasses, and sound director

wp: los angeles, 18th of september 2007, clarinetist: rafael caldentey crego



red piano (2005/2006) approx. 13' * *

5 pieces for piano

wp: frankfurt/main, 19th of april 2006, pianists: elmar schrammel, marc tritschler



dunkle bäume & getilgte sonnen (2005) approx. 19' * *

for ampiflied cello and tape music

wp: essen, 20th of january 2005, cello: scott roller, tape music: sagardía, sound & msp-program: maximilian marcoll

fp: frankfurt/main, cello: wolfgang zamastil, sound: felix dreher



dialoge (1997/98) approx. 11'

for violin

wp: rostock, 1998, violin: holger klaus

fp: stockholm, 6th of may 1998, “festival artgenda 1998”







m u s i c f o r s i n g u l a r i t i e s

to top







download here the work description in english and german (pdf-file)





zwei fäden (2008) approx. 7'

for one person

download score here for free (pdf-file)



konzerthalle (2008) approx. 3'

for one person

download score here for free (pdf-file)



mondstaat I (2008) approx. 5'

for one person

download score here for free (pdf-file)



mondstaat II (2008) approx. 6'- 7'

for one person

download score here for free (pdf-file)



sein oder schlafen (2008) approx. 6'- 7'

for one person

download score here for free (pdf-file)





c h a m b e r m u s i c

to top





pristenek (2009) approx. 9'

for voice, flute, harp, percussion, double bass

after the poem "pristenek" by petr borkovec

wp: prague, 10th of july 2009, emaus church, ensemble konvergence, conducter: ondrej stochl





sandeln (2007) approx. 5'- 6'

for viola and piano

wp: berlin, 29th of november, leibnizsaal / berlin-brandenburgische akademie der wissenschaften, viola: florian werner, piano: sagardía





nil*-ausdruck / sounds for human deep (2007) approx. 3'- 6'

for saxophone, violoncello and piano

*not in list

wp: flensburg, 8th of october 2007, aula des alten gymnasiums, saxophone: ruth velten, violoncello: wolfgang zamastil,

piano: markus syperek



aggressiv facility / sounds for human deep (2006/2007) approx. 5'30" *

for saxophon, violoncello and sound director

wp: berlin, 10th of april 2007, BKA theater berlin, cello: wolfgang zamastil, saxophone: ruth velten, tape music: sagardía,

sound director: felix dreher



blut- & goldsoldaten, kapitel 1 „sieben seiten“ (2005/2006) approx. 6'30" * *

for string trio

wp: esslingen, 2nd of february 2006, members of the string quartet “helios”

fp: berlin, 23rd of february 2008, "souterrain", sophie-gips-höfe, members of the ensemble "kaleidoskop", concert "exponate", inszenierung: alienor dauchez



blut- & goldsoldaten, kapitel 2 „wer regiert die stadt?“ (2008) approx. 8'

for string quartet

wp: -



blut- & goldsoldaten, kapitel 3 „kulissentrick“ (2008) approx. 7'

for viola and violoncello

wp: -



strikers of the aerosphere (2003) approx. 25' *

for 7 musicians and tape music

i/p: flute (auch picc.), trumpet (c), celesta, 2 percussionists, trombone, doublebass, tapes, 7 loudspeakers

wp: -



mein ionenfeld (2002) approx. 15'

for two musicians

i/p: clarinet (Bb) or saxophone (alto in Eb), thunder sheet, sampler, furnitures, loop and tape music

wp: essen, 22nd of may 2002, duo “conspiro” & sagardía

fp: düsseldorf, 22th of september 2002, “düsseldorfer altstadt herbst 2002”, duo “conspiro” & sagardía (“offenes forum für hardcore”)







o r c h e s t r a

to top





desert radar (2005/2006) approx. 24' * *

for ensemble, electronics and sound director

i/p: orchestre instrumentale: 1 flute, 1 saxophone (alto in Eb), 1 clarinet (Bb), 1 horn (F),

2 violins, 2 violas, 1 cello, 1 percussionist

elektronic-combo: 2 pianists + 2 live-elektronic musicians: (1st pianist: pianoforte + celesta &

live-elektronic musician digital, 2nd pianist: sampler + synthesizer & live-elektronic musician analog

+

sound director

wp: frankfurt/main, 24th of february 2006, concerts of the IEMA-scholarship holders of 2005/2006, ensemble

of IEMA-scholarship holders 05/06, michael wöstefeld & matthias luven

fp: karlsruhe, 9th of march 2006, ZKM-kubus, ensemble of IEMA-scholarship holders 05/06, michael wöstefeld & matthias luven

frankfurt/main, 27th of july 2006, ensemble of IEMA-scholarship holders 05/06, maximilian marcoll



desert radar & desert radio „one armed scissor“ are both published on the promotion dvd "testklang #01". further information on the dvd you can get here:

  • testklang


    • desert radio „one armed scissor“ (2006) approx. 22' *

    i/p: 1 flute (also piccolo), 1 saxophonist (soprano- (Bb), alto- (Eb), bariton- (Eb), 1 horn (F) , percussionist, 2 violins, 1 viola, 1 cello, sound director (live-elektronic)

    wp: frankfurt/main, 27th of july 2006, concerts of the IEMA-scholarship holders of 2005/2006, ensemble of IEMA-scholarship holders 05/06



    desert radar & desert radio „one armed scissor“ are both published on the promotion dvd "testklang #01". further information on the dvd you can get here:

  • testklang










    • desert radar / desert radio, concert, frankfurt/main, 27th of july 2006, ensemble TESTKLANG,

    video by martin lorenz and simon quack



    allee der kosmonauten (2001) approx. 7'30" *

    for chamber orchestra

    i/p: 1(picc)-1-1-1(doublebassoon); 1-1-1-0; 2 perc; celesta, pianoforte; 1-1-1-1-1;

    wp: essen, 17th of january 2002

    fp: karlsruhe, 1st of november 2002, ensemble „gelber klang“



    transfer (1997) approx. 4'20"

    for contrabassoon und chamber orchestra

    i/p: 1-1-1-1(contrabassoon solo); 1-1-0; 1 perc; pianoforte; 1-1-1-1-1

    wp: karlsruhe, 1st of november 1998, concert of laureates "composing youth", ensemble “gelber klang”





    v o i c e

    to top





    sog (2001)

    for mixed choir and looped filmscene ad libitum

    i/p: choir: 4-4-4-4 (1st singer in each voice section is solo voice), film sequence looped + screen, beamer

    wp: -



    langsam aus dem fluß... (2000) approx. 10'

    for three female voices and pianoforte

    wp: rostock, 2000







    m u s i c & t h e a t e r

    to top





    public speeches (2002) approx. 35'*

    musictheater in four sections

    i/p: saxophone, synthesizers, live electronics and props (toaster, furniture, drill machine), within "offenes forum für hardcore"

    wp: 23rd of september 2002, düsseldorf, altstadt herbstfestival



    der parzival (1998) approx. 12'20"

    chamber opera of 16 scenes, scene 4 – 6: sagardía

    i/p: 0-0-1(bass clarinet)-0; 0-1-1-0; 1 percussionist; conzert guitar; 1-0-0-0-1; singers

    wp: gießen, 17th of march 1999, theater im löbershof

    fp: munich, 17th of april 1999, „münchner biennale 1999“

    collective work, in collaboration with the following composers: benjamin lang, holger klaus, wang fei, gerhardt veser and carsten hennig





    e l e c t r o n i c m u s i c

    to top





    ladies first (2006) 1'

    2-channal composition

    wp: -

    published on „CrossCut“ (CD), edited by „deutscher musikrat”, „edition zeitgenössische musik“

    (WER6599 2)
  • wergo.de I "cross cut edition"


    • geminis - a stolen room (2005) 21'

    2-channal composition, version for tape music, voice and clarinet

    wp: los angeles, 12th of september 2007, gallery "art for humans", china town, los angeles, voice: sagardía, clarinet: rafael caldentey crego



    trois lézards (2003/2005) 13'*

    three tape music pieces

    2-channal composition

    wp: los angeles, 19th of july 2007, reception day at the villa aurora



    carol-ann (2002) 7'50“ *

    4-channal composition

    wp: essen, 3rd of july 2005, concerts of lurates “folkwangpreis 2005”

    fp: montevideo, uruguay, 2006, concerts of the goethe-institut montevideo



    geschattete felsen, fliegend, liegend (2001) 5'30"

    2-channal composition

    wp: -





    b a n d s

    to top





    diktator ohne land

  • diktatorohneland.com


    • members: federico dörries, stefan kreitmayer, sagardía



    album:



    „Zimt-Artillerie“ (2005)



    tracklist:



    1. sun control

    2. dr. wang & mr. bailey

    3. kunfg fu

    4. russian map

    5. dracula

    6. wunderschöne rechtsanwälte

    7. bond

    8. panzer pop

    9. mona



    all tracks composed, produced and played by



    federico dörries...........guitars/vocals

    sagardía......................keyboards/vocals

    stefan kreitmayer.........bass guitar



    feel free to listen:

  • zimt-artillerie




    • f i l m m u s i c

    to top





    „D I S T A N Z E N“

    documentary film

    2007

    idea & directed by: anett vietzke

    production: linda krämer, filmakademie baden-württenberg

    music by: diktator ohne land



    „Rebecca“

    shortfilm

    2007

    written & directed by: christoph schuler

    produced by: herrengedeck productions

    music by: diktator ohne land



    „Elias und der Winter“

    shortfilm

    2006

    written & directed by: sebastian jäger

    produced by: herrengedeck productions

    music by: diktator ohne land



    „Neuland“

    shortfilm

    2005

    directed by: sandra brehme

    music by: diktator ohne land





    f i l m section

    to top





    s c r e e n p l a y s





    “HUMAN DEEP” Episode I “Singularities” (2008)

    genre: feature film

    idea & screenplay: sagardía

    duration: approx. 120 min



    „Schwarze Ähre“ („a black ear of spike“) (2006/2007)

    genre: feature film

    idea & screenplay: sagardía

    duration: approx. 60 min

    infos: in collaboration with filmmaker sandrina andic on her version of "schwarze ähre", called "martins welt" ("martin's world")

    screenplay has been awarded 2007 by the goethe-institute st. petersburg and the fund „erinnerung und zukunft“ within the

    short film competition „alle menschen sind frei und gleich…“



    „Still Neven“ (2006/2007)

    genre: animation film

    idea & animation: mestiz

    screenplay: sagardía & mestiz

    duration: approx. 20"

    infos: in collaboration with my brother „mestiz“





    t e x t s & l e c t u r e s

    to top



    t e x t s





    title:

    aspekte der „loop aestetics“ bernhard langs in seinem orchesterstück „differenz / wiederholung 7“

    analysis (2004)

    only available in german



    title:

    das ochesterstück „mestizo“ von coriún aharonián

    analysis (2002)

    only available in german





    l e c t u r e s

    to top





    title:

    „atmosphäre als musikalisches denken“

    lecture (2006)

    hold on 18th of april 2006 at the international ensemble modern academy (IEMA), frankfurt/main



    title:

    „mark lombardi und politische musik“

    lecture (2006)

    hold on 18th of april 2006 at the international ensemble modern academy (IEMA), frankfurt/main